All pages
Powered by GitBook
1 of 1

Loading...

Glossary

Listed below are technicial terms and musical terms, which are frequently used in MuseScore or in the Handbook. Links to relevant handbook chapter are provided. To help musicians who are capable of reading a notation but do not know its proper name, image is provided. This chapter does not aim to be a dictionary of all musical notations, see External links.

The differences between American English and British English are marked with "(AE)" and "(BE)", respectively. Editors and translators of this chapter should add the individual entry for each term.

A

  • Acciaccatura

    A short which appears as a small note with a stroke through the stem. Musescore creates a quick playback, the playback duration is not affected by duration of the parent note.

  • Accidental

    An accidental is a sign appearing in front of a note that raises or lowers its pitch. See . chapter. Musescore creates playback for common accidentals only, they includes , , , , , and triple flats. To create microtonal accidentals such as quarter tone, see Chapter.

  • Ambitus

    Note (or vocal) range used in a . Used particularly in early music. See chapter.

  • Anacrusis (mostly BE)

    See .

  • Anchor

    The point of attachment to the score of objects such as Text and Lines: When the object is dragged, the anchor appears as small brown circle connected to the object by a dotted line. Depending on the object selected, its anchor may be attached to either (a) a note (e.g. fingering), (b) a staff line (e.g. staff text), or (c) a barline (e.g. repeats).

  • Appoggiatura

    A long which takes value from its associated note. Musescore creates playback as such. It is acceptable to execute written appoggiatura as acciaccatura nowadays but Musescore does not create such playback. Appoggiatura's functions include: passing tone, anticipation, struck suspension, and escape tone.\

  • Arpeggio

    An arpeggio tells the performer to break up the chord into the constituent notes, playing them separately and one after the other. The arrow arpeggio symbol indicates the direction in which the player should play the notes of the chord. See chapter.\

  • Articulation

    A marking or symbol indicating how a note should be played, usually by altering the length of a note or shaping its attack and decay. See chapter.

B

  • Bar (BE)

    See .

  • Barline

    Vertical line through a , staves, or a full that separates . See chapter.

  • Beam

    Notes with a duration of an or shorter either carry a or a beam. Beams are used for grouping notes. See also

C

  • Caesura

    A caesura (//) is a brief, silent pause. Time is not counted for this period, and music resumes when the director signals. See chapter.\

  • Capo (text)

    A text to indicate the setting of the transposing device used on an instrument. See . Not to be confused with .

  • Cent

D

  • Da capo (D.C.)

    A directive to repeat the previous part of music. See chapter. Not to be confused with .

  • Dead note

    See .

  • Demisemiquaver (BE)

    A thirty-second note.

E

  • Edit mode, text edit mode

    Used to edit adjust literal layout position and content of Text, contrast with and . See and chapters.

  • Eighth note

    A note whose duration is an eighth of a whole note (semibreve). Same as a quaver (BE).

  • Endecalineo *

F

  • Flag

    See .

  • Flat

    Sign (♭) that indicates that the pitch of a note has to be lowered one semitone, see and .

  • French Beam *

G

  • Ghost note

    In music, notably in jazz, a ghost note (or a dead, muted, silenced or false note) is a musical note with a rhythmic value, but no discernible pitch when played. Musescore supports crosshead (cross notehead), diamond notehead(the small diamond same as musescore 3), slash/diamond notehead (new in musescore 4), and adding brackets (parentheses) to a note, see chapter.\

    \

  • Grace note

    Grace notes appear as small notes in front of a normal-sized main note. See and . See

H

  • Half Note

    A note whose duration is half of a whole note (semibreve). Same as a minim (BE).

  • Hemidemisemiquaver (BE)

    A sixty-fourth note.

I

  • Implode *

    • A feature allowing the user to combine voices from separate staves onto one staff. See chapter. This is similar to, but not exactly, score reduction (). See also .

  • Interval

    The difference in pitch between two notes, expressed in terms of the scale degree (e.g. major second, minor third, perfect fifth etc.). See (Wikipedia).

J

  • Jump

    Jump objects are notations such as "D.S. al Coda", found in the "Repeats & Jumps" palette. See chapter.

K

  • Key Signature

    Set of or at the beginning of the . It gives an idea about the tonality and avoids repeating those signs all along the . A key signature with B flat means F major or D minor tonality. See chapter.

L

  • Legato

    Legato is a play style which involves playing the notes in a slurred manner. Legato may be written as text or shown through the use of .

  • Local time signature

    The time signature on a single staff when different from the overall score time signature. See .

  • Longa

  • Line

    Musescore Lines, a type of objects capable of attaching (anchoring) to a horizontal continuous range of more than two notes or rests, or vertical collection of notes (chord). See chapter.

M

  • Measure (AE)

    A segment of time defined by a given number of beats. Dividing music into measures provides regular reference points to pinpoint locations within a piece of music. Same as (BE).

  • Measure repeat sign

    A measure repeat sign looks like a "percentage" symbol having the two circles filled, or a slash with a dot at each side. See chapter.\

  • Metronome mark

N

  • Natural

    A natural (♮) is a sign that cancels a previous alteration on notes of the same pitch, see → and →.

  • Normal mode

    The operating mode of MuseScore outside or : press Esc to enter it. In Normal mode you can navigate through the score, and move elements, adjust Inspector properties, and alter the pitches of existing notes.

O

  • Operating System (OS)

    Underlying software that controls and manages the hardware and other software on a computer. Popular OSes are Microsoft Windows, macOS, and GNU/Linux.

  • Ossia *

    • An alternative passage which may be played instead of the original passage (from the Italian for "alternatively", meaning "or be it"). See chapter.

P

  • Part

    • 1. Musescore's automatic staff extraction function, see .

    • 2. A single melody line in a polyphonic musical composition. MuseScore 4 never uses this definition, but there is a similar feature .

    • 3. Instrument(s) or their staves. MuseScore 4.1.1 uses this definition only on the window title and one subheading in "Staff/Part Properties".

Q

  • Quadruplet

    See .

  • Quarter note

    A note whose duration is a quarter of a whole note (semibreve). Same as a crotchet (BE).

  • Quaver (BE)

    See .

R

  • Respell Pitches

    Change accidental used on a note but keep note's pitch. See chapter.

  • Rest

    A musical symbol that indicates silence. See chapter.

  • Re-pitch mode

    One of the note input modes.

S

  • Score

    • 1. In MuseScore support forums and the MuseScore Handbook, score generally refers to a computer file with the suffix .mscz - and to its visual representation on a computer screen as well as its audio playback.

    • 2. In some chapters of the MuseScore Handbook, score means the layout and formatting of "Full score" or one particular Musescore part. See .

T

  • Text

    A Musescore Text object is an object that contains individual characters that can be entered and removed by using (typing on) a computer keyboard. See chapter.

  • Tie

    A curved line between two adjacent notes of the same pitch to indicate a single note of combined duration. See chapter. A tie is not a .

    • Quarter note + Tie + Quarter note = Half note

U

  • Upbeat

    See .

V

  • Velocity

    A property of objects inside Musescore that controls how loudly note(s) are played, see musescore 3 handbook chapter. Velocity property of notes are edited using Properties panel: Playback tab, see chapter.

  • Voice

    • 1. In Musescore, voice is a software feature, you can use up to 4 voices per staff, see , also see .

W

  • Written pitch

    Transposing instruments (such as the clarinet, French horn, trumpet etc.) are notated at a different pitch (and key signature) to how they sound. The notated pitch is called the written pitch. Contrast with . See chapter.

External links

. See
chapter.
  • BPM

    A tempo displaying unit only used inside Musescore's Play toolbar. BPM is the amount of quarter notes would have been within one minute. It is not the number used in metronome tempo markings on a score. See Playback controls chapter.

  • Breve, or Brevis

    A double whole note or breve is a note that has the duration of two whole notes.

  • An interval equal to one hundredth of a semitone, used by Tuning property of a note. See Properties panel chapter.
  • Chord

    • 1. A group of two or more notes sounding together.

    • 2. In Musescore, only notes sounding together that have same duration inside one Musescore Voice constitute a chord. To select a chord in MuseScore, press Shift and click on a note. See Working with multiple voices chapter.

    • 3. In Musescore, a chord symbol. See Chord symbols chapter.

  • Clef

    A musical symbol used to indicate which notes are represented by the lines and spaces on a →staff. See Clefs chapter. See also courtesy clef.

  • Coda

    • 1. A passage that brings a piece (or a movement) to an end.

    • 2. The navigation marker which resembles a set of crosshairs. It is used where the exit from a repeated section is within that section rather than at the end. See also segno sign. See Jumps and markers chapter.

  • Concert pitch

    • 1. The sounding, or real pitch of a note—as opposed to the written pitch. See Working with transposing instruments chapter.

    • 2. A score viewing mode in Musescore, see Concert pitch box in the status bar chapter.

    • 3. The frequency of A4.

  • Courtesy clef

    A reduced-size clef applied to the end of a system indicating a clef change at the start of the next system. See Clefs chapter.

  • Cross-staff notation

    • A musical phrase extending across two neighboring staffs: e.g. bass staff and treble staff.

    • To create notation where the two stems are at opposite sides of the beam, as shown above, see Cross-staff notation chapter.

    • To create notation where the stems are on the same side of the beam, as shown above, see chapter.

  • Crotchet (BE)

    See Quarter note.

  • Double Flat

    A double flat (♭♭ or 𝄫) is a sign that indicates that the pitch of a note has to be lowered two semitones.

  • Double Sharp

    A double sharp (♯♯ or 𝄪) is a sign that indicates that the pitch of a note has to be raised two semitones.

  • Duplet

    See tuplet.

  • Dynamic, dynamics, dynamic symbol, dynamics symbol

    A symbol indicating the relative loudness of a note or phrase of music—such as mf (mezzoforte), p (piano), f (forte) etc., starting at that note. See Dynamic chapter.

  • Endecalineo or endecagram, the stave for Solfège. See Solmisation (tutorial for MuseScore 3, pending update)

  • Endings

    See volta.

  • Enharmonic notes

    Notes that sound the same pitch but are written differently. Example: G♯ and A♭ are enharmonic notes. To quickly switch between enharmonic spellings, press J. See Entering notes and rests chapter.

  • Explode *

    • A feature that allows the user to split (or explode) the chords in a passage of music in a single staff into their constituent notes or voices. See Implode and explode chapter. See also implode.

  • Beams where the stems only extend to the first beam, but don't intersect all the way through. To create use the French Beams plugin.

    chapter.
  • Interleaved *

    • A term used to describe two interlocking, oppositely-beamed sets of notes. To create, use the voice function and the beam palette. See Interleaved beam directions

  • Instrument

    • 1. Musescore Instrument, see Setting up your score chapter.

    • 2. Real world instrument

  • Irregular measure marker *

    • A plus sign or minus sign at the top right of a measure indicates that its duration differs from that set by the time signature. See The user interface and Measure properties chapters.

  • A longa is a quadruple whole note.
  • A kind of tempo marking. See Tempo markings.
  • Minim (BE)

    See Half note.

  • Multimeasure rest

    See Measure rests and multimeasure rests chapter.\

  • Note input mode

    The program mode used for entering music notation, contrast with normal mode and edit mode. Enter it by pressing N or clicking on the pen icon in the note input toolbar. See Entering notes and rests chapter.

  • Pickup Measure (mostly AE, also known as an Anacrusis (mostly BE) or Upbeat)

    Incomplete first measure of a piece or a section of a piece of music. See Measure duration, Create new score: Pickup measure, and Measure properties:Exclude from measure count chapters. May or may not be compensated for at the end of the score or section.

  • Properties

    • 1. Settings of an individual object on a score in Musescore, contrast with style (profile).

    • 2. Musescore's panel, see Properties panel chapter.

  • Quintuplet

    See tuplet.

    3. In other contexts (for example the IMSLP score-sharing website at https://imslp.org), a score generally refers either to a PDF file of the sheet music for a specific work or to an actual paper copy of the sheet music.
  • Section

    In MuseScore, a region of the score between section breaks; also from the start of a score to the first section break, and from the last section break to the end of the score.

  • Segno

    A navigation marker. See Jumps and markers chapter.

  • Semibreve (BE)

    A whole note (AE). It lasts a whole measure in 4/4 time.

  • Semiquaver (BE)

    A sixteenth note.

  • Semihemidemisemiquaver (Quasihemidemisemiquaver) (BE)

    A hundred and twenty eighth note.

  • Sextuplet

    See tuplet.

  • SF2

    A virtual instrument format developed by E-mu Systems and Creative Labs. See SoundFonts.

  • SF3

    An invention of Werner Schweer, the Musescore developer (source). This format supports sound sample compression. See SoundFonts.

  • Shared note head

    A single notehead with two beams—one up, one down. Especially common in guitar music, for example. See Noteheads

  • Sharp

    Sign (♯) that indicates that the pitch of a note has to be raised one semitone , see accidentals and key signature.

  • Slash (slash chord, slash notehead)

    Indicates strum. See Slash chord (Wikipedia).

  • Slash notation

    A form of music notation using slash marks placed on or above/below the staff to indicate the rhythm of an accompaniment: often found in association with chord symbols. There are two types: (1) Slash notation consists of a rhythm slash on each beat: the exact interpretation is left to the player (see Fill with slashes); (2) Rhythmic slash notation indicates the precise rhythm for the accompaniment (see Toggle rhythmic slash notation).

  • Slur

    A curved line over or under two or more notes, meaning that the notes will be played smooth and connected (legato). See Slur chapter. A slur is not a tie.

  • Solmisation

    see Endecalineo

  • SoundFont

    A virtual instrument format supported by MuseScore. A SoundFont is a special type of file (extension .sf2, or .sf3 if compressed) containing sound samples of one or more musical instruments. In effect, a virtual synthesizer which acts as a sound source for MIDI files. MuseScore 4 comes with its own native soundfont, MS Basic. See SoundFont chapter.

  • Spatium (plural: Spatia) / Space / Staff Space / sp. (abbr./unit)

    A unit of measurement, see Page layout concepts.

  • Staff / Staffs

    A set of lines and spaces, each representing a pitch, on which music is written. In period music notation (before 11th century) the staff may have any number of lines.

  • Staff Space

    See Spatium (above).

  • Stave / Staves (BE)

    See Staff (above).

  • Step-time input

    MuseScore's default note input mode. See Entering notes and rests chapter.

  • Style

    The profile that contains settings in MuseScore, contrast with Properties. See Templates and styles chapter.

  • System

    Set of staves to be read simultaneously in a score. See Page layout concepts chapter. See also Operating System (OS).

  • System divider

    Separates systems on the same page. Can be switched on for the score in Format→Style→System, see Formatting chapter. Also available in master palette, see Other symbols chapter.\

  • Quarter note + Tie + Eighth note = Dotted Quarter note

  • Quarter note + Tie + Eighth note + Tie + 16th note = Double Dotted Quarter note

  • Transposition

    The act of moving the pitches of one or more notes up or down by a constant interval. See Transposition chapter. There may be several reasons for transposing a piece, for example:

    1. The tune is too low or too high for a singer. In this case the whole orchestra will have to be transposed as well—easily done using MuseScore.

    2. The part is written for a particular instrument but needs to be played by a different one.

    3. The score is written for an orchestra and you want to hear what the individual instruments sound like. This requires changing the transposing instrument parts to concert pitch.

    4. A darker or a more brilliant sound is desired.

  • Triplet

    See tuplet.

  • Tuplet

    A tuplet divides its next higher note value by a number of notes other than given by the time signature. See Tuplet chapter. For example a triplet divides the next higher note value into three parts, rather than two. Tuplets may be: triplets, duplets, quintuplets, and other.

  • 2. The musical term "voice" refers to a musical line or part which can have its own rhythm. MuseScore does not have a feature to implement the exact same idea, if the voice feature does not suit your need, try adding separate instruments instead.

  • Volta

    In a repeated section of music, it is common for the last few measures of the section to differ. Markings called voltas are used to indicate how the section is to be ended each time. These markings are often referred to simply as endings. See Volta chapter.

  • grace note
    Entering notes and rests:Accidentals
    sharps
    flats
    naturals
    double sharps
    double flats
    Tuning systems, microtonal notation system, and playback
    staff
    Ambitus
    Pickup measure
    grace note
    Arpeggios and glissandi
    Articulation
    measure
    staff
    system
    measures
    Barline
    eighth
    flag
    French Beam
    Breaths and pauses
    Applying capos
    Da capo (D.C.)
    Jumps and markers
    capo (text)
    ghost note
    normal mode
    note input mode
    Adjusting elements directly
    Entering and editing text : Editing text object content
    beam
    accidentals
    key signature
    Noteheads
    acciaccatura
    appoggiatura
    Grace note
    Implode and explode
    wikipedia
    explode
    Degree (Music)
    Jumps and markers
    sharps
    flats
    staves
    staff
    Key Signature
    slurs
    Adding a local time signature for a single staff
    Other lines
    bar
    Measure and multi-measure repeats
    accidentals
    key signature
    note input mode
    edit mode
    select
    Ossia
    Parts
    Voice
    tuplet
    eighth note
    Entering notes and rests:Accidentals
    Entering notes and rests
    Alternative note input methods: Re-pitch mode
    Musescore Part
    Entering and editing text
    Tie
    slur
    pickup measure
    Loudness of a note
    Properties panel
    Working with multiple voices
    staff
    concert pitch
    Staff / Part properties
    http://www.robertcarney.net/musical-terms-definitions.htm
    https://en.wikipedia.org/wiki/List_of_musical_symbols
    Acciaccatura
    Appoggiatura
    Arpeggio
    Caesura
    Ghostnote deadnote
    Ms42 diamond
    Localts
    Repeat
    Beam
    <figure><img src="../.gitbook/assets/coda.png" alt="Coda"><figcaption></figcaption></figure>
    <figure><img src="../.gitbook/assets/crossbeams3.png" alt="Crossbeams3"><figcaption></figcaption></figure>
    <figure><img src="../.gitbook/assets/explode.png" alt="Explode"><figcaption></figcaption></figure>
    <figure><img src="../.gitbook/assets/interleaved.png" alt="Interleaved"><figcaption></figcaption></figure>
    <figure><img src="../.gitbook/assets/ms3_irregular.png" alt="Ms3 irregular"><figcaption></figcaption></figure>
    <figure><img src="../.gitbook/assets/endecalineo.png" alt="Endecalineo"><figcaption></figcaption></figure>
    <figure><img src="../.gitbook/assets/frenchbeam3.png" alt="Frenchbeam3"><figcaption></figcaption></figure>
    * Grand Staff(AE)
    * Great Stave (BE)
    
    An [instrument](glossary.md#instrument) with two or more staves, featuring treble and bass clefs, used to notate music for keyboard instruments and the harp, in MuseScore: Any number of Staves connected by a curly brace.
    <figure><img src="../.gitbook/assets/implode.png" alt="Implode"><figcaption></figcaption></figure>
    
    <figure><img src="../.gitbook/assets/implode2.png" alt="Implode2"><figcaption></figcaption></figure>
    * Ledger Line(AE)
    * Leger Line (BE)
    
    Line(s) that are added with and for notes above or below the staff.
    <figure><img src="../.gitbook/assets/ossia.png" alt="Ossia"><figcaption></figcaption></figure>
    How to span a chord or stem over two staves
    Multimeasure rests 4
    Segno
    Sharednotehead2
    System divider
    <figure><img src="../.gitbook/assets/longstem2.png" alt="Longstem2"><figcaption></figcaption></figure>